I love play on words. Moreso, I love gorgeous images that inspire me to write. This artwork by Carl Campbell has accomplished all of the above. Carl used ToonIt Photo, our Adobe Photoshop cartoon plugin, to transform a BMW car into something even more special.
There has been a great deal of commotion over a web site called Spokeo. Spokeo aggregates personal info about people. So all the info that’s in public records is combined with all the info you’ve put on the web about yourself, which is then viewable by other people. Many people I know are freaked out about this. One person was shocked that her photos and blog posts were found. Seriously. There’s a lot of folks out there who are unclear on how all these cookies, logging, networking, and whatever else works. Privacy Law Needs To Be Updated. Support dotrights.org Notwithstanding obvious things like blogs, that we put up so other people can see, our privacy is being eroded fast.
Ever since they started shooting motion pictures one of the biggest questions have been… How do you keep the damn camera steady? And what do you do about it if it’s not? If you’re a photographer just getting into shooting video with your DSLR, you’re likely to have the same questions. I’ll give you some answers to the first question and a few tips on dealing with the second. While a shaky camera can be used, on rare occasion, to good effect… it’s usually something to be avoided. More often than not, it just means your watching a B horror flick and the owner of said shaky camera is about to be bitten in half. Hopefully we can get you shooting stable video so as to insure you are not similarly attacked by creatures that are aggravated by shaky video. So… how do you avoid such a fate?
I recently came across a blog post by Fuzzy Duenkel, a photographer over in Wisconsin. He makes a pretty passionate case against using scene swapping (e.g. the type of stuff you do with Primatte and green screen) for traditional, ‘classic’ portraits. By and large I agree with him. I don’t think it’s a great use of the technology to put someone in a place they’ve never been so they can say they were there. For novelty photos and the like, it’s great, but for a ‘classic’ portrait, maybe not so much. But there’s more to portraits than just the classic look. Image by Deverie FX, www.deveriefx.com
If you pay attention to news sites covering digital graphics, there have been interesting articles surfacing about the the Avatar movie. There is quite a bit of talk about the philosophy and technology behind the movie, perhaps a tad on the over-analyzing side of things, but personally, I still find this topic more interesting than a rant about the new iPad. In Post magazine — consistently a terrific source of film related news — there are two articles about how director James Cameron took motion capture into a new level of technology. The article ‘‘Avatar’ Introduces a New Era in Filmmaking‘ talks about his vision of a system that provides performance capture rather than motion capture. The article ‘Director’s Chair: James Cameron – Avator‘ goes into more detail about this new system, called the Simulcamera.
When we first launched Primatte, we tested a variety of ‘greenscreen’ backgrounds to determine what to recommend. Paper backgrounds turned out to be worst and we had the best luck with a velcro/foam material. Well… apparently not all paper backgrounds are made equal! I don’t remember who made the paper background we initially tested. But it was awful. Very reflective and prone to hot spots. We figured all paper would have the same problems. After listening to a talk by another company that does greenscreen software, I decided to revisit this and give Savage Paper’s ‘tech green #46’ a try. So how’d it fare vs. the foam materail we’ve been recommending since day 1?
Around the holidays, we received a great compliment about Beauty Box from customer Ross Webb. Beauty Box is our new skin retouching software for video footage in After Effects and Final Cut Pro. I asked Ross about his work. He said, “My history is around AE but I’m using FCP for this. The footage is owned by me, shot on a canon 7D. It’s glamour and the model had really bad scarring on her face.” Thanks Ross. We wish great success to your project. And continued success to our skin smoothing product, for which you can see examples here.
On the heels of a wonderful customer email from 2009, I’d like to show you my favorite email from 2010. Never mind that the year is only two days old. This email will quickly become a classic around our office. Michael Maller emailed us regarding his recent purchase of Beauty Box. This is our new skin retouching software for video footage in After Effects and Final Cut Pro. Michael had some great things to say about the subtle effect that Beauty Box provides when smoothing away wrinkles, blemishes and other skin issues.
I had a very nice email exchange with customer John Gunmann a few months ago. Meant to blog immediately about the talk but other conversations kept piling on top. Figure this topic will be a wonderful final post of 2009. Especially since John was so pleased that he told me to buy a top shelf drink on the Digital Anarchy tab, which perhaps I will do tonight for New Years Eve.
Beauty Box has been a very fun product to develop. The best part of releasing our new Beauty Box product, I think, was working with the models who lent their beauty and time. After the photoshoot, we treated their skin with our Final Cut Pro plugin in post-production. This smoothed out their blemishes, laugh lines and other issues with their skin quality. Before the models arrived, Digital Anarchy spent the morning preparing the shoot area. We decided to convert the living room of our Chief Executive Anarchist, Jim Tierney, rather than renting a space. His purple velvet couch made a terrific rich backdrop and we hung black striped curtains to frame the shots. Some of the footage was shot outside; luckily the weather held. San Francisco in December can be very cold or very warm, often within the same three hour period. Sitting in for the models before they arrive:
And we’re back. Digital Anarchy is once again making plugins for After Effects and Final Cut Pro. Our first new product is Beauty Box 1.0, which was released yesterday. In a nutshell, this plugin automatically does skin retouching, which reduces wrinkles and removes blemishes. If you weren’t able to hire a makeup artists for your shoot, or you just have regular people who look, well… regular, then Beauty Box allows you to do skin retouching without having to go frame by frame. It’s a powerful new plugin that uses face detection and an advanced smoothing algorithms to smooth out the skin while keeping all the other details sharp and in focus. Of course, we have the privilege of working with beautiful models. But Beauty Box will make everyone look beautiful! Ok, well, maybe not everyone. But if it’s possible, Beauty Box makes it easier to get them there.
My biggest frustration with the 5D is the lack of AutoFocus. You get very use to AF on traditional camcorders and not having really affects how you shoot. You definitely can’t move around as much as you would with a normal camcorder. It is possible to hit the AF-ON button and get it to re-focus, but this is quite a bit different than dynamic, I-don’t-have-to-think-about-it Autofocus. So it has it’s shortcomings, but this is partially made up for by the absolutely beautiful video. So my top 10 observations about it…
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