All the speed tests we’ve done with Beauty Box on Windows show the Nvidia GeForce video cards to outpace their much more expensive cousins, the Quadros, significantly. A GTX 570 (~$270) is about 25-30% faster than a Quadro 4000 ($800). Since Beauty Box can involve some render time, we’ve wished that Apple would authorize one of the newer GeForce cards for the Mac. No such luck. So we’re tired of waiting. We took a stock PNY GeForce 570 and put it into our MacPro. And lo! It works! So… what’d we do and what are the caveats? This was not a 570 with ‘flashed’ ROM. This was just a straight up 570 which we use in one of our PC machines. Nothing fancy. We did need to download a few things: – Latest Nvidia driver for the Mac, which can be found here: http://www.nvidia.com/object/macosx-304.00.05f02-driver.html – Latest CUDA drivers for the Mac, which can be found here: http://www.nvidia.com/object/mac-driver-archive.html (as of this writing, v5.0.37 was the latest) – If you’re using Premiere you need to update the cuda_supported_cards.txt file to add the name of the video card. In this case it would be: ‘GeForce GTX 570’ To do this, you need to go to the Premiere.app file, right+click on it and select ‘Show Package Contents’. Once you do that, this is what you’ll see: Once that’s done, you are good to go! Now that caveats…
Using Plugins on Multiple Computers
So you’ve got two (or 20) computers and you want to use Beauty Box (or whatever) on all of them. This is always a tricky thing for software developers. On one hand we realize many folks have multiple machines and since they’re only one person, they can only use one machine at a time. We would like to allow them the flexibility of having it on a couple machines. On the other hand, if you’re a studio with multiple machines and multiple people we think that if our software is good enough to be installed and used on all those machines we should be paid for it. Making sure that happens sometimes gets in the way of how a single user is using our plugins. Companies When you buy a license of our software, you’re buying it for one user. If you’re a company with multiple machines and multiple artists/editors using those machines, then there’s not much gray area and you need a license for each computer being used. We offer pretty good volume discounts and site licenses for this type of situation, you can contact sales@digitalanarchy.com for pricing. There is one big exception to this… if you’re using After Effects’ network rendering. You do not need extra licenses for After Effects render nodes. You can install Beauty Box on as many render nodes as you want for free. People (and, no, companies are not people. I don’t care what the Dread Pirate Roberts says) If you’re just one person with multiple machines then there’s some gray areas. The software can be installed on a couple machines, but we use the internet to determine if the plugin is being used on multiple computers at the same time. So if you have a desktop and a laptop and you’re using one or the other depending on whether you’re at home or at the office, no problem. You’re good to go. However, if you’re in your studio/office and trying to use both machines for rendering/editing at the same time, you may run into problems. If so, here’s what you can do: 1) You can purchase a second license. We do offer discounts for second licenses. Contact sales@digitalanarchy.com. 2) Use the second machine as an After Effects render node. As mentioned above, you can use Beauty Box on as many render nodes as you want for free. So if the machine is just being used to process frames sent to it from another machine you shouldn’t have any problems. 3) Our licensing is set up so that you can install on two machines, they just can’t be in use simultaneously. The way we check this is via the internet. So if you disable the internet connection on one machine, then we can’t check it. This is a hack and technically violates the license. However, since the spirit of the license is for one user, as long as it’s the same person using the machines we’re ok with it. 4) Render out the Beauty Box clip on one machine while working on another part of your project on the second machine. BB just gets watermarked on the second machine, so it’s still usable. Like most of you, we’re running a small company. We try to be as flexible as possible, but if you’re making money using our software we would like you to buy the correct number of licenses. Please support the companies that make the tools you use and that help you be successful.
I Feel the Need for Rendering Speed (or Why I Love My GPU)
We’re about to release a free update to Beauty Box Video (2.0.4… look for it next week) and figured it was time to talk about GPUs again. We’re seeing 500-800% speed increase using the GPU on newer graphics cards, especially Nvidia boards which seem to be more stable than AMD or Intel. (You can get more info on Beauty Box and a free trial version HERE) So where are we getting these numbers and how do YOU get them?
Makin’ the World an Ugly Place (with Free Plugins)
In case you missed it, last week on Halloween we released a free filter called Ugly Box! The blog post is a little late for Halloween (although they are celebrating it in New Jersey today), but if you’re tired of all the election nonesense, there’s still plenty of time to use it to make Glenn Beck more interesting. You can download it here: http://www.digitalanarchy.com/demos/ugly.html I think one of the biggest surprises we had when we released Beauty Box 1.0 was that people kept asking us if it could make people look worse. Considering how much detail you can see on HD and how bad some people looked on HD, I didn’t really think there’d be a need for a filter to do that. But… we give our customers what they want though… With Beauty Box 2.0, you could set Skin Detail Smoothing to a negative number resulting in, yep, Ugliness! It takes the skin texture, amplifies it and sharpens it making your talent either look a bit older or flat out hideous depending on their skin and the settings. Ugly Box, the fitler we’re releasing for free, let’s you use that aspect of Beauty Box. It’s a bit of a one trick pony, you don’t have all the control you do with Beauty Box, but it can definitely make the folks in your videos look a lot worse. Anyways, all the details are below, so download it for free and have fun with it! I figured it’d be a great Halloween treat for all you visual effects artists and editors doing last minute scary videos (or election videos…). 😉
The LA Kings Use Beauty Box Video
We were excited to receive an email from Aaron Brenner, of the LA Kings hockey team, letting us know that they had used Beauty Box Video on a high profile piece they were doing. An interesting aspect to Beauty Box Video is that it’s difficult to get people to admit they are using it. A LOT of production companies have bought and loved the software but they’re a little shy about singing its praises publicly. Their actor and actress clients aren’t too keen about wanting fans to know they used software to make them (more) beautiful. This wasn’t a problem for the subjects of Aaron’s production for the Kings. It’s a behind the scenes video of the photo shoot of the LA King’s Ice Girls calendar! Some very beautiful girls who you wouldn’t think would need much retouching. (Click on the image above to be taken to the King’s site and see the video.) However, no situation is perfect.
Beauty Box Photo is a Smash!
Beauty Box Photo has been out for only a few weeks now but we’re really excited by the response from people and the press about it. Angie Taylor gave a great review on her blog, Creative Pro Therapy, as well as Diane Berkenfeld on her blog, Picture-Soup.com. The example above shows one before/after image with only a little skin correction needed. The example below shows a more extreme example of skin smoothing. The plugin is great for both kinds of situations because it always gives a natural look.
What Material To Use For Greenscreen?
When we first launched Primatte, we tested a variety of ‘greenscreen’ backgrounds to determine what to recommend. Paper backgrounds turned out to be worst and we had the best luck with a velcro/foam material. Well… apparently not all paper backgrounds are made equal! I don’t remember who made the paper background we initially tested. But it was awful. Very reflective and prone to hot spots. We figured all paper would have the same problems. After listening to a talk by another company that does greenscreen software, I decided to revisit this and give Savage Paper’s ‘tech green #46’ a try. So how’d it fare vs. the foam materail we’ve been recommending since day 1?
Final customer love of 2009
I had a very nice email exchange with customer John Gunmann a few months ago. Meant to blog immediately about the talk but other conversations kept piling on top. Figure this topic will be a wonderful final post of 2009. Especially since John was so pleased that he told me to buy a top shelf drink on the Digital Anarchy tab, which perhaps I will do tonight for New Years Eve.
Creative Uses Of 3D Text
When we first start selling 3D Invigorator there were some questions about when you would ever need such a tool. But for designers it can give you some really interesting options without going into a 3D program. GoMediaZine, an online magazine for designers, recently had a tutorial on some very cool typographic effects. In the tutorial they use Cinema 4D, an excellent 3D program. However, they could have used 3D Invigorator. Let’s talk about how. Here’s the original image for Gomediazine.com: Here’s some 3D text I whipped up in 3D Invigorator in about 15 minutes:
Find your inner freak.
Just read an article on one of my favorite industry news sites, www.studiodaily.com, which is related to Studio Monthly magazine. It’s about a new SciFi film that uses relatively low budget techniques to tell a story about the futurism of Mexico. The film is Sleep Dealer and the director is Alex Rivera. I always enjoy reading about people’s hardware and software choices and moreso about their creative decisions. But what I really enjoyed about this article was the final interview question asked of Rivera. Note: This movie still has been reposted from Studiodaily.com.
Gamma & other tough, chewy terms
Every time I write a manual for our company, I inevitably stumble upon the need to explain some basic terms. ‘Basic’ isn’t really the correct descriptor because it often implies that something is easy to understand. For instance, this past week I was writing about a parameter in our ToonIt! Photo plugin. The control is called Lighter Type and the way to describe its Lighter1 option is to say that Lighter1 alters the ‘gamma’ of the source image. Well, I know that ‘gamma’ refers to colors but whew, I get completely lost after that. A different kind of gamma.
Toon the cat! (if she’ll stand still)
I’m doing some product development for our ToonIt! Photo plugin, and wound up playing with some personal photos as source material. Looking at my cat is typically more interesting than iStock and this is a great photo to cartoon. The subjects’ faces are aimed at the viewer and their facial details are very clear. I also like that the background is blurred out in the original. We were photographed in my kitchen and those kinds of environments often don’t look all that interesting, even as a cartoon. Here’s the result with the ToonIt! defaults rendered out of Photoshop:
