I recently ran into a friend who mentioned she’d just bought a $1000 lens for her relatively new DSLR. She then proceeded to ask me if I could get her a copy of Photoshop CS5. I said, no, but that upgrading from CS2 wasn’t that expensive. She replied “Oh, I don’t want to pay for it.”. Maybe she was unclear on the concept that I develop software. For photographers.
Now, I realize that going into a camera store and stealing a $1000 lens is difficult and stealing a $500 software program is relatively easy. But just because it’s easy to steal software doesn’t make it any less wrong. If you can afford to buy a $1000 lens, you can afford to help support the people that make the software you use to organize, enhance, manipulate, and print your photos. We’re all real folks trying to make a living and, even though piracy is given with software, sometimes it hurts when it’s thrown in your face as my friend did (unintentionally, sure, but here’s someone that’s relatively well paid just casually throwing out she wants to steal Photoshop.).
I usually don’t lose much sleep over piracy. Much of it is done by people that would never buy the program. They download the software, use it once or twice, and then don’t use it again. But for artists that use something like Photoshop every day, it does dismay me a little about how common piracy is. Some photographers and artists that would be up in arms if their work was copied and used for an ad without being paid, think nothing of copying software from a friend. Yet, it’s the same principle.
I don’t care if you download a pirated copy of our plugins to try out. But if you find it useful, please… support those of us that work our asses off to bring you cool, useful software.
Yes, there are real people behind all this software… Jim, Garrick, Debbie, and Maggie (see above). And we all greatly appreciate all of you who do find our software useful and help us continue to do something we love… allowing us to create cool software that hopefully makes your jobs easier!
We are so happy and excited to announce the releasing of Toonit! Photo 2.6 which is compatible with 64bit and CS5! The best part about it; it’s FREE if you already own the product. Go to this Update Page to get the instructions on how to do a fresh install. If you haven’t purchased Toonit! you can now get it for $89 until July 18!
(After Toonit! Photo has been applied)
(Original image before Toonit! Photo has been applied)
This is just the first in many more 64bit and CS5 updates to come. Here’s are run down of when you can expect these updates for our other products:
I came across this great photo series on Flickr, entitled Pencil vs Camera by artist Ben Heine. It is always interesting to see how different mediums can be combined, especially when it comes from reality (photos) and imagination (drawings). Ben used a traditional method to do his sketches. All the graphic elements shown come from his own stock/production. He drew the sketches, took the photos, and edited them.
Here at Digital Anarchy we have always been a big supporter of how illustrations can play a role within photography. Our plugin ToonIt! Photo lets you create cartoon effects, like shading and lines, from your own photographic images. Learn more about ToonIt! Photo here.
I had a few extra moments to play with the Pencil vs Camera concept using my own images and ToonIt! Photo. I shot these photos in Santa Cruz, CA on a very overcast day about two years ago. I would have liked to have a more pleasing sky but you can’t always get what you want, right? Here are the results:
While I find captchas as annoying as, well, everyone else does, I also enjoy the beauty of their randomness. Our company Digital Anarchy builds some of its products around that idea, like our Texture Anarchy pattern generator for Photoshop textures. Texture Anarchy harnesses fractal noise, algorithms and other techy chaos into really pretty textures.
A few days ago, I posted an ad in the Talent section of Craigslist. The captcha that I had to fill out, ‘discontented bacon’, was geekiness to its max. More on what this talent ad was for in a few days… we’re excited.
Since one week is a decade in internet time, I’m seeing this February post about green screening an eternity too late. But I still think it’s interesting, as is most of the stuff that I find through BoingBoing.net. The movie shown below is the 2009 Virtual Backlot Reel from StargateStudios.
It’s fascinating — and maybe a bit disturbing — to realize that mundane scenes in TV shows are now regularly treated as visual effects events. Digital Anarchy first developed Primatte Chromakey, our Adobe Photoshop plugin for green screen masking, in mid-2005. At the time, we had to spend a lot of time simply explaining to photographers what ‘green screen’ meant. Five years later, green screen is a recognized entity with information accessible on non-pro sites like ehow.com. The convergence continues!
Sometimes my workday, like yours, starts before my coffee kicks in.
Here at Digital Anarchy, we are always available to find your old serial number or resend you an installer. Our records are quite good and typically we can go back seven years, to the company’s beginnings, to find your information. This customer service is especially important since we don’t ship our products on disk but instead provide digital download.
This week, I received an email from a customer who had purchased our Backdrop Designer product — a cool Adobe Photoshop plugin that makes muslin-esque textures for digital backgrounds — in 2005 and needed to reinstall. I located the customer in our Backdrop Designer database, updated his serial number through our new system, and sent off the info. I was extremely delighted to get this positive email back from Ron. Continue reading Helping the Top Dog.→
Just read an article on one of my favorite industry news sites, www.studiodaily.com, which is related to Studio Monthly magazine. It’s about a new SciFi film that uses relatively low budget techniques to tell a story about the futurism of Mexico. The film is Sleep Dealer and the director is Alex Rivera.
I always enjoy reading about people’s hardware and software choices and moreso about their creative decisions. But what I really enjoyed about this article was the final interview question asked of Rivera.
Every time I write a manual for our company, I inevitably stumble upon the need to explain some basic terms. ‘Basic’ isn’t really the correct descriptor because it often implies that something is easy to understand.
For instance, this past week I was writing about a parameter in our ToonIt! Photo plugin. The control is called Lighter Type and the way to describe its Lighter1 option is to say that Lighter1 alters the ‘gamma’ of the source image. Well, I know that ‘gamma’ refers to colors but whew, I get completely lost after that.
Not exactly revolutionary technology but it does make one think about how digital photography (from DSLRs to cell phones) is really become ingrained in the culture. Not only in the US, but the entire planet, particularly in third world countries where the cell phone is being used more as an all purpose computer since computers are too expensive.
Digital Anarchy — that’s me and Jim Tierney — attended the Microsoft Pro Photo Summit this week. It’s a pro-level gathering that we have attended for three years, since the summit’s inception. I’m usually in contact with photographers about limited topics, like how to choose a chromakey screen or problems installing our software, so it’s refreshing to get a macro view of hot topics in the professional world of photography.
Speaking of ‘macro’, the two main topics of the Summit this year dealt with orphaned works and its related topic of internet image piracy, and competing with low-cost ‘micro’ stock sites (mainly www.istock.com). The topic of stock photography was especially succulent since not 24 hrs earlier, Getty Images and Flickr announced a deal of limited reciprocation.
My favorite job at Digital Anarchy is finding interesting customers to showcase their use of our products. It’s part detective work, part intuition, part fantastic reveal. I always come out of the experience having enjoyed the unique personality and creativity of the person I’ve worked with over the course of a few weeks
And with that statement… Here are our newest Primatte Chromakey gallery additions: Chris Ruhaak of Heartland Photos & Design (HP&D) and LENNON the Photographer of Los Angeles, CA. Both are very talented, established photographers. Their core businesses have a completely different focus and yet each man has been able to create a studio niche using greenscreen work and Primatte 3.0.
Chris Ruhaak specializes in many traditional kinds of portraiture, from seniors to children to weddings. As seen in the before/after images below, his HP&D studio uses Primatte to spice up the design for real estate business cards.
Over the past few months, Digital Anarchy has migrated to using formal Support Forms for each product. (Well, as formal as ‘anarchists’ are going to get, anyways.) There are a few reasons for this.
One, often folks forget to give us important details, like their last name or the name of the DA product they need help with. To date, we support 16 products. If I have to do a search in our database to tie in someone’s first name with an email address, then counter-search that with the product(s) he may own… Well, I’m more likely to tackle the questions that are easier to answer first.
Two, we get a LOT of email every day. When people don’t fill out a proper title for their emailed request, that email will often go to a Spam folder. We check our Spam folders a few times a day, but they are chock full o’love. If your email is simply titled ‘Help!’ or ‘Purchase’ or worse yet, if it doesn’t have a title, that email is going to get lost in the shuffle of 250 other emails marked as **SPAM** Continue reading It’s Good To “Choose a Topic”→
Wherein Jim Tierney rants and opines about After Effects, Premiere Pro, Final Cut Pro, and other nonsense