In late July, we released Primatte Chromakey 3.5, a terrific update for using our greenscreen masking tool in Adobe Photoshop CS5 and 64-bit native operation. Also in July, a terrific article appeared in Post magazine about how to set up for greenscreen. The article is ‘The Keys to Shooting Greenscreen’ and it’s written by one of my favorite industry writers, Randi Altman, who is also Post’s editor.
Randi’s topic is really about greenscreening for video and film (with specs like HDCAM and 35mm/24fps) since Post is a broadcast media publication. However, her sage advice is completely applicable to working with photographs and other still images.
Since one week is a decade in internet time, I’m seeing this February post about green screening an eternity too late. But I still think it’s interesting, as is most of the stuff that I find through BoingBoing.net. The movie shown below is the 2009 Virtual Backlot Reel from StargateStudios.
It’s fascinating — and maybe a bit disturbing — to realize that mundane scenes in TV shows are now regularly treated as visual effects events. Digital Anarchy first developed Primatte Chromakey, our Adobe Photoshop plugin for green screen masking, in mid-2005. At the time, we had to spend a lot of time simply explaining to photographers what ‘green screen’ meant. Five years later, green screen is a recognized entity with information accessible on non-pro sites like ehow.com. The convergence continues!
Joe Farace lights up the room in two ways. He is a talented photographer, writer and teacher whose emails end with catchy signatures like ‘It’s 2010 and the Big Bang never ended’ or ‘Saving the world, one pixel at a time’. He is also an expert on lighting and imaging techniques for photographers.
Recently, Joe showed me a photo composite that he created while writing one of his upcoming books. The image was masked with Primatte Chromakey, our blue / green screen Adobe Photoshop plugin.
I recently came across a blog post by Fuzzy Duenkel, a photographer over in Wisconsin. He makes a pretty passionate case against using scene swapping (e.g. the type of stuff you do with Primatte and green screen) for traditional, ‘classic’ portraits. By and large I agree with him. I don’t think it’s a great use of the technology to put someone in a place they’ve never been so they can say they were there. For novelty photos and the like, it’s great, but for a ‘classic’ portrait, maybe not so much. But there’s more to portraits than just the classic look.
Digital Anarchy exhibited at the Senior Portrait Artists (SPA) Event earlier this week. It was yet another trade show, but this time we were on the island of Coronado, just off the sunny coastline of San Diego, CA.
We stayed and worked in the grand Hotel de Coronado, which is a grand hotel dating to 1888 and considered a National Historical Landmark. (Interesting history is here.) It was wonderful to be in a hotel that was next to the beach and lined with palm trees, especially during the winter, but the lush surroundings did present a small problem. Continue reading Trade show amid the palm trees.→
Steven Parke is an amazing photographer and artist who Digital Anarchy became friendly with about two years ago. It’s taken almost that long for us to show his amazing work in our online gallery. Busy lives.
Steven is using Flickr as his gallery medium these days, though he used to show a wider expanse of his work in a gorgeous website called Imagecarnival.com. Seems like he has his creative fingers in lots of stuff including commercial portraits, musician photos, CD covers. If you click around his People set, you will see a lot of interesting and even recognizable people. Steven is quite humble about his accomplishments. One of my favorite photos in this set is the lead singer for a band called MILKSHAKE!.
Last month, Digital Anarchy had some difficulty with our server, store and site… shudder… and had to change vendors unexpectedly. I’ve been combing through our media ever since, trying to find content that didn’t properly survive the transition.
Which caused me to stumble upon one of my favorite artists in our Primatte Chromakey gallery. John Riley, Ph.D., is a physicist and associate professor who initially contacted Digital Anarchy about some graphics work for which he was using Primatte, an Adobe Photoshop plugin for blue/greenscreen masking.