Tag Archives: Adobe Photoshop

Piracy

I recently ran into a friend who mentioned she’d just bought a $1000 lens for her relatively new DSLR. She then proceeded to ask me if I could get her a copy of Photoshop CS5. I said, no, but that upgrading from CS2 wasn’t that expensive. She replied “Oh, I don’t want to pay for it.”. Maybe she was unclear on the concept that I develop software. For photographers.

Now, I realize that going into a camera store and stealing a $1000 lens is difficult and stealing a $500 software program is relatively easy. But just because it’s easy to steal software doesn’t make it any less wrong. If you can afford to buy a $1000 lens, you can afford to help support the people that make the software you use to organize, enhance, manipulate, and print your photos. We’re all real folks trying to make a living and, even though piracy is given with software, sometimes it hurts when it’s thrown in your face as my friend did (unintentionally, sure, but here’s someone that’s relatively well paid just casually throwing out she wants to steal Photoshop.).

I usually don’t lose much sleep over piracy. Much of it is done by people that would never buy the program. They  download the software, use it once or twice, and then don’t use it again. But for artists that use something like Photoshop every day, it does dismay me a little about how common piracy is. Some photographers and artists that would be up in arms if their work was copied and used for an ad without being paid, think nothing of copying software from a friend. Yet, it’s the same principle.

I don’t care if you download a pirated copy of our plugins to try out. But if you find it useful, please… support those of us that work our asses off to bring you cool, useful software.

Yes, there are real people behind all this software… Jim, Garrick, Debbie, and Maggie (see above). And we all greatly appreciate all of you who do find our software useful and help us continue to do something we love… allowing us to create cool software that hopefully makes your jobs easier!

Pose and Compose

Are you ever in a situation with a model or subject and can’t get the perfect position out of them? If yes, then this is your luck day. I came across a great article that gives 10 top portrait tips to help you capture the uniqueness of your subject.

One that I found interesting is #9.“DO make sure to separate the arms from the waist. Arms flat against the side of your subject create the illusion of a very wide waist.” Or you can always adjust for that in Photoshop ;)

Continue reading Pose and Compose

Keeping A DSLR Steady For A Video Shoot?

Ever since they started shooting motion pictures one of the biggest questions have been… How do you keep the damn camera steady? And what do you do about it if it’s not? If you’re a photographer just getting into shooting video with your DSLR, you’re likely to have the same questions. I’ll give you some answers to the first question and a few tips on dealing with the second.

While a shaky camera can be used, on rare occasion, to good effect… it’s usually something to be avoided. More often than not, it just means your watching a B horror flick and the owner of said shaky camera is about to be bitten in half. Hopefully we can get you shooting stable video so as to insure you are not similarly attacked by creatures that are aggravated by shaky video.

So… how do you avoid such a fate?

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Fake or Not Fake?

A picture can not lie. We all know the untruth of that these days. But what do you do when a picture isn’t lying, yet looks ‘obviously’ fake?

The below photo illustrates this to some degree:

photography sometimes captures real life in an unrealistic way
photography sometimes captures real life in an unrealistic way

This is a photo of a friend’s whale watching boat (Ultimate Whale Watch in Maui). Obviously, I shot this from a different boat while a whale swam up to and under the boat. I’m using a 70-200mm f2.8 lens, so I’ve got really narrow depth of field. As a consequence, the boat is razor sharp and everything else is pretty blurred.

If you saw the above image in a marketing brochure would you believe it?

Continue reading Fake or Not Fake?

Photoshop & fingerprints & forensics, oh my.

I was clicking around online yesterday, procrastin…er, doing some market research, when I came upon this interesting website, forensicphotoshop.blogspot.com.

I’ve read frequently on Adobe’s website that the medical slash science industry is a huge demographic of their Photoshop and Acrobat sales. (From the Adobe site, here’s an interesting white paper on the subject of Adobe and Foresnics.) At trade shows and socially, I have run into people who use Photoshop for cool stuff like the Genome project. But I’d never noticed a website devoted to a segment of the graphics industry that isn’t considered a creative market.

Until now. The author, Jim Hoerricks, rounds up a lot of Photoshop topics that are interesting in their own right, and moreso because they are referencing, to me, an emerging boutique part of the industry.

Continue reading Photoshop & fingerprints & forensics, oh my.

The Demise of Digital Railroad

It was very quick, and Digital Railroad is very dead.

It’s brings up one of the main concerns with ‘cloud’ computing… mainly, what happens when the cloud goes dark.

Cloud computing is sort of the generic term used for using someone else’s storage/processing power over the internet. Hotmail, Google Docs are a couple examples. All your information is stored on their server.

Now it’s a fairly safe bet that Google or Hotmail (microsoft) aren’t going out of business. However, it’s a much different story with smaller companies. Digital Railroad went dark and basically gave their users all of 10 hours notice to download their files. That’s not a whole lot of time. If you didn’t have the originals of the photos you were storing at DR, you were in trouble. They later added a couple days to the deadline, but still… not much time to download critical files (assuming you heard about it, weren’t out of the country, could even connect to their servers, etc., etc.).

Personally I think this is abominable way to treat customers. The guys running it should’ve sent notices out to customers months in advance that this was a possibility. To not do so is almost criminal. It was an entirely preventable situation and Charles Mauzy and co. completely failed the trust of the customers that supported them. It gives a bad name to the entire industry, but provides a look at how some companies are going to be run (going down to the last dollar and then just turning off the lights) and provides an example of worst practices.

Granted, you should never put all your eggs (or photos) in one basket, and always keep the originals tucked away somewhere. But some customers are always going to believe the hype (after all, companies spend a lot of money promoting the hype) and buy into the thought that the ‘cloud’ is a safe, infallible way of storing files. So the industry needs to be much better about notifying customers when, for whatever reason, their data is at risk and remind them in no uncertain terms that they should have copies of their data in multiple places.

For photographers, this means always making sure you have originals. If the hard drive dies that had those originals, it’s your responsibility to download from the backup site and create a new set of originals. Sites that offer these services, like Photo Shelter, can facilitate this by making it easy to download images with tags, catagories, and whatever else you might have done to the photos in the online environment.

This applies to other data as well. You should always personally have copies of such things as your web site, emails you wish to keep, and any other data that is stored online. Even large companies like Google can experience catastrophic problems that would result in you losing data or you could have a malicious employee/co-worker that has access to your online storage.

Cloud computing does offer a great many benefits and the behavior of one company shouldn’t (and won’t) mean that we toss the whole idea. It does make many things easier… backups, remote access, collaboration, and much more. But it’s important to understand the risks involved with any new technology and not just believe the hype.

cheers, Jim

The Demise of Adobe

… has been rather exaggerated. Ok, way over-exaggerated.

Layoffs happen at big companies. When things are great you tend to hire based on great expectations. It’s better to have too much capacity and grow into it than to be overwhelmed. The flip side is when things slow you need to trim down and unfortunately, that means layoffs. An 8% reduction in workforce really isn’t something that should be seen as that concerning. At least, from an end users perspective… for the folks getting laid off… yeah, it sucks. Although Adobe has been known to give nice severance packages.

Adobe laid off 150 people in 2001, and Macromedia laid off 170, which was 10% of the staff at the time (which was partially because of a merger, but if things had been booming I don’t think it would have been nearly as high). So layoffs are hardly unprecedented. If Adobe and Macromedia survived the dot.com implosion, I’m sure they’ll do ok this time around.

The other factor in all this is that it’s incredibly difficult to get loans or other financing right now. You would think (and this is WHOLE other rant) that with the banks getting all this taxpayer money they’d be back in business making loans. But no. Things are tighter now than they were 6 months ago.

So… companies like Adobe really need to conserve the cash they have on hand. They don’t have as much flexibility in ‘waiting and see’.

This was, at least from Adobe’s perspective, a smart and necessary thing to do. Digital Anarchy is dependent on Adobe products, and I’m not reading anything into this other than just the normal reaction to the reduced expectations that happen in a recession (We’ve been in one for about 9-12 months at this point).

For Digital Anarchy, we’re proceeding much like Adobe (minus the layoffs… we don’t have enough people as it is :-), cutting the costs we can and continuing to release products. We’ve got four products on schedule to be released over the next 3-4 months. With any recession you can’t stop investing in new products, but you do need to watch your costs very carefully. That’s all Adobe is doing.

cheers, Jim

—————————-
Jim Tierney
www.digitalanarchy.com
Digital Anarchy
Filters for Photography & Photoshop
f/x tools for revolutionaries
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Gearing up for a product release.

We’re all pretty excited around here at Digital Anarchy about our upcoming product release. Usually we don’t talk about products until they are released, but we pre-announced this product earlier in the year — err, a few times earlier in the year — and it’s finally hitting the market this week.

The product is ToonIt! Photo and you can see images, well, right here. You can also check out footage showing off last year’s release of ToonIt for video apps. The medium is different but the underlying software is the same.

Toonit Photo cartooning software from Digital Anarchy

'After' image for Toonit Photo cartooning software

Even though I am working through the weekend, I’m having a blast writing our manual and web pages and tutorial scripts. After all, how can it NOT be fun to turn yourself (and mom) into a cartoon?

regards -Debbie

Digital Photography and Childrens Books

An interesting story from Diane Berkenfeld over at Studio Photography magazine about the use of digital photos as illustrations in the childrens’ book “Babar USA.”

Not exactly revolutionary technology but it does make one think about how digital photography (from DSLRs to cell phones) is really become ingrained in the culture. Not only in the US, but the entire planet, particularly in third world countries where the cell phone is being used more as an all purpose computer since computers are too expensive.

cheers, Jim

Adobe CS4 Launch Event

Went to the filming of the Adobe launch event on Monday which was interesting. I’m not exactly sure who it was aimed at or what the purpose of it was, but I can’t say I was overly impressed by it. The products are cool enough with some great new features, but the event was trying too hard to be Oprah or something and just didn’t work. It would’ve been better if they’d filmed the hipster designers talking about some cool project they’d used CS4 on and showed the clips instead of having said hipster designers come on stage and fumble through a product demo. Ben Grossman from the Syndicate did a good job, but he didn’t talk about his stuff, just the standard Adobe demo material. I would’ve been much more impressed by a 3-5 minute clip of him showing where CS4 was used in the Radiohead video.

Then again, I’m just a jaded and cranky plugin developer. Maybe it worked for everyone else. ;-)

Continue reading Adobe CS4 Launch Event

Photoshoplab’s List of Auto Features

While hunting online for an answer to a Photoshop problem (even anarchistic developers get stuck sometimes), I came across an interesting article on a blog called Photoshoplab.com. The title of the post is ‘7 Things Photoshop Does Automatically’.

It’s a great roundup and I think many of these automated features speak to folks who buy our Digital Anarchy products. Many of our Photoshop customers are professional photographers with relatively little time to devote to image editing. All of these auto-functions are easy and fast to use. Auto Levels, Auto-Blend Layers and Rotate> Arbitrary (numbers 12, 5 and 7 below) seem to especially speak to folks who need quick, clean adjustments to their photos.

The author’s subtitle is ‘7 Things Photoshop Does Automatically That Aren’t in the Automate Menu’, and that makes sense, because the features he has listed are pretty hidden if you aren’t looking for them. In fact, I was only aware of three of the functions.

Continue reading Photoshoplab’s List of Auto Features

Party on @ Adobe Creative CS4 launch

Yesterday I went with Jim Tierney, our company president, to the Adobe CS4 Launch event. It was at Adobe’s headquarters in San Francisco, which is where our Digital Anarchy is based also, and perhaps 150 folks were there. Market leaders like authors and studio heads and — ahem — software folks like us. The slogan of Adobe Creative Suite CS4 is ‘Shortcut to Brilliant’ and the theme of this CS4 event was the three categories of improvements that CS4 brings: time-savers, integration and innovation.

The presentations were done really well. All of the presenters were polished and practiced but they seemed to ad-lib just enough to make their words feel real. After two well-chosen talking heads, ‘real’ users like designers and editors came onstage to show off what they’ve done in a week with their new CS4 tools. As the application and media changed, so did the lighting, so for the Photoshop presentation, the lights were blue. For Illustrator and web/interactive design, everything was red. I liked the mood that was set and the enthusiasm was high but not artificially so.

An interesting tidbit from the keynote speaker was that there are over a billion consumers worldwide who will never use a computer to connect to the internet. Their online connection is a mobile device. Makes sense when you count emerging but still rural markets like Africa and India but really, I hadn’t thought about how digital practices differ through the world. The speaker’s point was that this is why the flexibility of the end graphical product is so important now.

On to the Adobe software…

For the Photoshop CS4 presentation, which is what Digital Anarchy now focuses on, the discussion was mainly tool driven. There is a 3D panoramic stitcher that looked pretty cool though I must admit that I haven’t yet explored CS3’s stitching features. Adobe has added content-aware scaling, which decides upon and eliminates unimportant details for smarter scaling.

I was more impressed by the overall integration (yep, one of the three featured topics of the event) within the CS4 suite. Really it seemed to me that many of the strong features of certain apps have been propagated over to other apps, and often that cross-ventilation seems to be with formerly Macromedia functions.

For instance, Illustrator now has a Blob brush that lets you draw and editvector chunks in exactly the same way that Flash always has. Illustrator also FINALLY has the multi-page capabilities that Freehand did over a decade ago. And Flash’s new timeline and inverse schematic animation reminds me a lot of After Effects functionality.

Fireworks was also pretty impressive. I remember hating that app years ago when I taught web design because it felt very isolated from any true workflow. Now Fireworks can baton twirl in utter sophistication with Photoshop and it even saves out interactive PDF’s.

Well, that’s my round-up for now. I can’t wait to sink my fingers into Photoshop CS4 this week. The event presenters were lauding Adobe.tv as the place to go for free training and I intend to check out that site.

regards -Debbie

Macro vs Micro at Microsoft Pro Photo Summit.

Digital Anarchy — that’s me and Jim Tierney — attended the Microsoft Pro Photo Summit this week. It’s a pro-level gathering that we have attended for three years, since the summit’s inception. I’m usually in contact with photographers about limited topics, like how to choose a chromakey screen or problems installing our software, so it’s refreshing to get a macro view of hot topics in the professional world of photography.

Speaking of ‘macro’, the two main topics of the Summit this year dealt with orphaned works and its related topic of internet image piracy, and competing with low-cost ‘micro’ stock sites (mainly www.istock.com). The topic of stock photography was especially succulent since not 24 hrs earlier, Getty Images and Flickr announced a deal of limited reciprocation.

Continue reading Macro vs Micro at Microsoft Pro Photo Summit.

Primatte Is Flexible & Stylish

My favorite job at Digital Anarchy is finding interesting customers to showcase their use of our products. It’s part detective work, part intuition, part fantastic reveal. I always come out of the experience having enjoyed the unique personality and creativity of the person I’ve worked with over the course of a few weeks

And with that statement… Here are our newest Primatte Chromakey gallery additions: Chris Ruhaak of Heartland Photos & Design (HP&D) and LENNON the Photographer of Los Angeles, CA. Both are very talented, established photographers. Their core businesses have a completely different focus and yet each man has been able to create a studio niche using greenscreen work and Primatte 3.0.

Chris Ruhaak specializes in many traditional kinds of portraiture, from seniors to children to weddings. As seen in the before/after images below, his HP&D studio uses Primatte to spice up the design for real estate business cards.


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