We here at Digital Anarchy want to make sure you have a wonderful Christmas and there’s no better way to do that than to take videos of family and colleagues and turn them into the Grinch. They’ll love it! Clients, too… although they may not appreciate it as much even if they are the most deserving. So just play it at the office Christmas party as therapy for the staff that has to deal with them.
Our free plugin Ugly Box will make it easy to do! Apply it to the footage, click Make Ugly, and then make them green! This short tutorial shows you how:
You can download the free Ugly Box plugin for After Effects, Premiere Pro, Final Cut Pro, and Avid here:
We have a new set of tutorials up that will show you how to easily create masks and animate them for Beauty Box. This is extremely useful if you want to limit the skin retouching to just certain areas like the cheeks or forehead.
Traditionally this type of work has been the province of feature films and other big budget productions that had the money and time to hire rotoscopers to create masks frame by frame. New tools built into After Effects and Premiere Pro or available from third parties for FCP make this technique accessible to video editors and compositors on a much more modest budget or time constraints.
How Does Retouching Work Traditionally?
In the past someone would have to create a mask on Frame 1 and move forward frame by frame, adjusting the mask on EVERY frame as the actor moved. This was a laborious and time consuming way of retouching video/film. The idea for Beauty Box came from watching a visual effects artist explain his process for retouching a music video of a high profile band of 40-somethings. Frame by frame by tedious frame. I thought there had to be an easier way and a few years later we released Beauty Box.
However, Beauty Box affects the entire image by default. The mask it creates affects all skin areas. This works very well for many uses but if you wanted more subtle retouching… you still had to go frame by frame.
The New Tools!
After Effects and Premiere have some amazing new tools for tracking mask points. You can apply bezier masks that only masks the effect of a plugin, like Beauty Box. The bezier points are ‘tracking’ points. Meaning that as the actor moves, the points move with him. It usually works very well, especially for talking head type footage where the talent isn’t moving around a lot. It’s a really impressive feature. It’s available in both AE and Premiere Pro. Here’s a tutorial detailing how it works in Premiere:
After Effects also ships with Mocha Pro, another great tool for doing this type of work. This tutorial shows how to use Mocha and After Effects to control Beauty Box and get some, uh, ‘creative’ skin retouching effects!
The power of Mocha is also available for Final Cut Pro X as well. It’s available as a plugin from CoreMelt and they were kind enough to do a tutorial explaining how Splice X works with Beauty Box within FCP. It’s another very cool plugin, here’s the tutorial:
We’re excited to announce that Beauty Box Video 4.0 is now available for Avid and OpenFX Apps: Davinci Resolve, Assimilate Scratch, Sony Vegas, NUKE, and more. This is in addition to After Effects, Premiere Pro, and Final Cut Pro which were announced in April.
Beauty Box Video 4.0 adds real time rendering to the high quality, automatic skin retouching that Beauty Box is famous for. It’s not only the best retouching plugin available but it’s now one of the fastest, especially on newer graphics cards like the Nvidia GTX 980. We’re seeing real time or near real time performance in Premiere Pro, Resolve, and FCP. Other apps may not see quite that performance but they still get a significant speed increase over what was possible in Beauty Box 3.0.
Easily being able to retouch video is becoming increasingly important. HD is everywhere and 4K is widely available allowing viewers to see more detail on closeups of talent than ever before. This makes skin or makeup problems much more visible and being able to apply digital makeup easily is critical to high quality productions.
You can also incorporate masks to limit the retouching to just certain areas like cheeks or the talent’s forehead. (as can be seen in this tutorial using Premiere Pro’s tracking masks)
So head over to digitalanarchy.com for more info and to download a free trial and free tutorials on how to get started and more advanced topics. You’ll be blown away by the ease of use, high quality retouching, and now… speed!
Wherein Jim Tierney rants and opines about After Effects, Premiere Pro, Final Cut Pro, and other nonsense